Am F It's four in the morning, the end of December Dm7 Em7 I'm writing you now just to see if you're better Am F New York is cold, but I like where I'm living Dm7 Em7 There's music on Clinton Street all through the evening Am Bm Am Bm I hear that you're building your little house deep in the desert Am G You're living for nothing now Am G I hope you're keeping some kind of record C G Yes, and Jane came by with a lock of your hair Am She said that you gave it to her Bm G That night that you planned to go clear F Em7 Did you ever go clear? Am F Ah, the last time we saw you, you looked so much older Dm7 Em7 Your famous blue raincoat was torn at the shoulder Am F You'd been to the station to meet every train Dm7 Em7 And you came home without Lili Marlene Am Bm Am Bm And you treated my woman to a flake of your life Am G Am G And when she came back, she was nobody's wife C G Well, I see you there with the rose in your teeth Am One more thin gypsy thief Bm G Well, I see Jane's awake F Em7 She sends her regards Am F And what can I tell you my brother, my killer? Dm7 Em7 What can I possibly say? Am F I guess that I miss you, I guess I forgive you Dm7 Em7 I'm glad you stood in my way Am Bm Am Bm If you ever come by here, for Jane or for me Am Bm Am G Well, your enemy is sleeping, and his woman is free C G Yes, and thanks for the trouble you took from her eyes Am G I thought it was there for good so I never tried C G And Jane came by with a lock of your hair Am She said that you gave it to her Bm G That night that you planned to go clear F Em7 Sincerely, L. Cohen
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