Tuned down 1/2-step Comments: Pretty standard fare for the bassist with some experience with Gene's style. Here we find the usual diatonic outlining of chords, the chromatic connecting phrases and little fill. Check out the diad (making an F5) during Rhy. Fig 3. It is a slightly unusual move for Gene but it has turned up before (although where I can't remember). Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill ** = Artificial Harmonic x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) (\) = Dive w\bar (/) = Release w\bar Tp = Tap w\plectrum Rhy. Fig 1 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--| Eb|--------------------------------------------------| < - - - - - - - - - - - 5x - - - - - - - - - - - > Gb|--------------------------------------------------| Db|-----------------------5h7---5-----5--------------| Ab|--0--0--0--0--0--0--0-----------7-----7--5--3--5--| Eb|--------------------------------------------------| Rhy. Fig 2 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--0--0--0--0--2--3--4--5--5--5--5--5--3--2--0--0--| Eb|--------------------------------------------------| Gb|--------------------------------------------------| Db|-----------------------------------------------3--| Ab|--0--0--0--0--2--3--4--5--5--5--5--5--3--2--0-----| Eb|--------------------------------------------------| Gb|--------------------------------------------------| Db|--3--3--3--3--3--2--0-----------------------------| Ab|--------------------------------------2--3--4--5--| Eb|-----------------------3--3--3--3--3--------------| End 1 Gb|-----------------------7----5---------------------| Db|---------------------------------7----------------| Ab|--5--5--5--5--5--5--5-----------------0--3--------| Eb|--------------------------------------------------| End 2 Gb|--------------------------------------------------| Db|-----------------------5----5---------------------| Ab|--5--5--5--5--5--5--5------------5--5-------------| Eb|---------------------------------------0--2-------| Rhy. Fig 3 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------2--3--5-------5---------------------| Eb|--3----3---------------------------0--2-----------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------2--3--5-------5------5--7-----------| Eb|--3----3------------------------------------------| Gb|-------10-----------------------------------------| Db|-------10--------------------5----5---------------| Ab|--8-----------------------------------------------| Eb|---------------0--2--3---------------2--3---------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--0----0--0--0--0--0--0--0--0--0--0--0--0--3--3---| Eb|--------------------------------------------------| Rhy. Fig 4 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--5----5--3----2--2--0----------2----3--3--4------| Eb|------------------------3----3--------------------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--5----5--3----2--2--0----------2----3--4--5------| Eb|------------------------3----3--------------------| Gb|--------------------------------------------------| Db|--3----3--3--3--3--2--0---------------------------| Ab|-------------------------3----3--3--3--3--2--0----| Eb|--------------------------------------------------| End 1 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|----------------------3-----3---------------------| Eb|--3----3--3----3-----------------3--3-------------| End 2 Gb|--------------------------------------------------| Db|-------------------------5----5--5--5--5--2-------| Ab|----------------2--3--5----------------------3----| Eb|--3----3--3--3------------------------------------| PLASTER CASTER Gene Simmons [Rhy. Fig 1] [Rhy. Fig 2 w/ End 1] Baby's getting anxious, the hour's getting late The night is almost over, she can't wait [Rhy. Fig 2 w/ End 2] Oh, things are complicating, my love is in her hands And there's no more waiting, she understands [Rhy. Fig 3] The plaster's gettin' harder and my love is perfection A token of my love for her collection, her collection [Rhy. Fig 4 w/ End 1] Plaster caster, grab a hold of me faster And if you wanna see my love, just ask her [Rhy. Fig 2 w/ End 2] And my love is the plaster And yeah, she's the collector She wants me all the time to inject her [Rhy. Fig 3] The plaster's gettin' harder and my love is perfection A token of my love for her collection [Rhy. Fig 4 w/ End 1] Plaster caster, plaster caster Grab a hold of me faster, plaster, faster And if you wanna see my love, just ask her, ask her Go on, ask her [Rhy. Fig 2 w/ End 2] [Rhy. Fig 3] The plaster's gettin' harder and my love is perfection A token of my love for her collection, her collection [Rhy. Fig 4 w/ End 2] (repeat and fade) Plaster caster, plaster caster Grab a hold of me faster, plaster, faster If you wanna see my love, just ask her, ask her Plaster caster, plaster caster She wants my love to last her, last her, last her And she calls me by the name of master, master Plaster caster, plaster caster Grab a hold of me faster, plaster, faster If you wanna see my love, just ask her, ask her Plaster caster, plaster caster Grab a hold of me faster, plaster, faster And if you wanna see my love, just ask her, ask her Plaster caster, plaster caster _______________________________________________________ Contribuição: Flavio Francisco de Moura(flaviomoura@uol.com.br)
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