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(first part - this line is repeated several times fast (172) E E E E E S. E T S. T |------------------------------| |------------------------------| |--0--0--------0--0------------| |-----------3-------------3----| There are some fast fills scored like this: |-3-| |-3-| |-3-| |-3-| |-3-| |--3-| |--3--| 3 3 3 S S S S S S S S S S S S S S S S S S S S S S S T X --2-2-2-2-2-4-7-7-7-7-7-8-9-9-9-9-9-11-12-12-12-12-12-12-14-| ------------------------------------------------------------| ------------------------------------------------------------| ------------------------------------------------------------| The reverse scale motif comes in some changes: S. T S E T E T E X T E S E T |--L--L---0--L-----------------------| |--------------4--L-2------0---------| |-------------------------------4--L-| |------------------------------------| Another change: Q E. T T Q Q Q E. T T Q Q -------2---L-------------|-------2---L--------2----| --------------------2----|-------------------------| --0------------0---------|--0------------0---------| -------------------------|-------------------------| A long fast scale precedes the solo: |-3-| |-3-| |-3-| |-3-| Q. S S S S S S S S S S S S S S --L------L---2-2-2-2-2-3-4-4-4-4-4-6-| -------------------------------------| -------------------------------------| -------------------------------------| |-3-| |-3-| |-3-| |--3-| |--3--| |--3--| |--3--| |--3--| S S S S S S S S S S S S S S S S S S S S S S S S ---7-7-7-7-7-8-9-9-9-9-9-10-11-11-11-11-11-11-12-12-12-12-12-12-| --12------------------------16----------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| (bass enters into the keyboard solo tempo starts in 116 going faster) W H H --------------------------------------------| --3-----------------------L--------0--------| --------------------------------------------| --------------------------------------------| W H H W H H -------------------------------------|-------------------------------------| -------------------------------------|--3----------------L--------0--------| ----------------------------3--------|-------------------------------------| --1----------------L-----------------|-------------------------------------| W H Q. S. T ----------------------------------------| ----------------------------------------| ----------------------------3------L----| --1----------------L--------------------| E E E E E. S E S. E T E E E E S. T Q --------------10-------------------5-----10-------------| --3--3-----3--------------------------3-----------10----| ---------------------8--8-------8------------8----------| --------------------------------------------------------| This is repeated fast as the solo ends going faster: E T S. E E E E E E T S. E E E E E Q ----------5-----3--4--5-------------5-----10-----------| -------------3-----------3--L----3-----3---------10----| --8--8----------------------------------------8--------| -------------------------------------------------------| This scale accompanies the drums fill that marks the end of the solo: 3 3 3 3 3 3 3 3 Q. E S.X S S.X S S.X S S. X S S. X S S. X S S. X S E. T S. T ------------14-----12-----11-----|--9------7------6------4------2----------| --7------------------------------|-----------------------------------------| ---------------------------------|-----------------------------------------| ---------------------------------|------------------------------------3--L-| Then the main line again (172) 3 3 X S. T E E S. T E E E S. T ----------------------------------| ----------------------------------| ----0----0----------0--0----------| --L------------3-------------3--L-| The 2nd solo no bass Another scale marks the end of the solo 3 3 3 |3| 3 3 3 3 3 3 X Q. S S E X T E X T E X T X E X T E X T E X T E X T E T T E X |----3------L---3------1------0------|--------------------------------------------| |------------------------------------|----3------1------0-------------------------| |------------------------------------|-------------------------3------1--L------1-| |------------------------------------|---------------------------------------4----| The main line gets transposed following on 3 3 E T E E S. T E T E. T S. T X ------------------------------------| ------------------------------------| ------------------------------------| --L----6-----4----6--6-------4----6-| Fill: |-3-| |-3-| |-3-| |--3-| |--3--| |--3--| 3 3 3 T S S S S S S S S S S S S S S S S S S S S T S. X --L-3-3-3-3-5-8-8-8-8-8-9-10-10-10-10-10-12-13-13-13-13------| -------------------------------------------------------------| -------------------------------------------------------------| -----------------------------------------------------------6-| This marks the end of the bass part, after this Mike switches to 12 string. Going slower: |----3----| 3 3 3 |----3----| 3 3 3 E T Q Q Q Q Q X E T Q Q Q Q Q X --L--L-1----0-------------------3-|--L--L-1----0-------------------3-| -----------------3----1----0------|-----------------3----1----0------| ----------------------------------|----------------------------------| ----------------------------------|----------------------------------| |----3----| 3 3 3 3 3 3 3 3 3 E T Q Q Q Q Q X E T E X T Q Q E X T Q X --L--L-1----0---------------------|-------3------3---------3------3------| -----------------3----1----0------|------------------------------------3-| --------------------------------1-|--L--L-------------1------------------| ----------------------------------|--------------------------------------| Bass reappears on the Volcano reprise *after* the Squonk part This is oddly signed, I can't do it right: |-3| 3 S. T S. E T X T. X S S S S S S S E S S S X -7----7----------------------7---7--------------| --------------0---L--L---0-----------0--0-0-----| --------------------------------------------1-L-| ------------------------------------------------| 3 3 E T T T S E S S S S S S E Q S S S E. X -------------3--------------3-----------3-------| ----------------------------------------------0-| --L----1---1----1-1-1---1-1----1----1-1---------| ------------------------------------------------| |-3| 3 T. X S S S S S S S E S S S X -------------7---7--------------| --L--L---0-----------0--0-0-0-L-| --------------------------------| --------------------------------| The ending fanfarre 3 3 S. T T T T T T T T T T T T T T T T T T T T T T T T T T T T T X -----------------------------------------------------------------| --L--L-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0---0-| ---------5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-------| -----------------------------------------------------------------| W - whole H - half Q - quarter E - 8th S - 16th T - 32nd X - 64th . - note dotted |-n-| - n-tuplets L - tied note x - dead note g - grace note (n) - ghost note > - accentuded note NH - natural harmonic AH - artificial harmonic TH - tapped harmonic SH - semi harmonic PH - pitch harmonic h - hammer on p - pull off b - bend br - bendRelease pb - preBend pbr - preBendRelease brb - bendReleaseBend \n/ - tremolo bar dip \n - tremolo bar dive -/n - tremolo bar Release up /n\ - tremolo bar inverted dip /n - tremolo bar return -\n - tremolo bar Release down S - shift slide s - legato slide / - slide into from below or out of upwards \ - slide into from above or out of downwards ~ - vibrato W - wide vibrato tr - trill TP - tremolo picking T - tapping S - slap P - pop < - fade in ^ - brush up v - brush down
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